Lumen printing is an alternative photographic process that utilizes light-sensitive paper, typically black and white photographic paper, to create striking images through direct exposure to ultraviolet light. During this process, objects or materials are placed directly onto the paper and then exposed, allowing the organic materials to leave imprints and produce a range of colors. The resulting prints are unique and unrepeatable, adding to their artistic allure.

Photogravure is a 19th century process traditionally done using copper plates.

Polymer photogravure is modern variation of this intaglio printing process that combines photography and traditional engraving techniques to produce high-quality images. The process begins with a photographic negative that is converted into a continuous tone image. This image is then transferred onto a light-sensitive polymer emulsion, which is coated onto a metal plate, typically steel. Upon exposure to ultraviolet light, the areas of the emulsion that receive more light harden while the less exposed areas remain soluble. After developing, the plate is etched in water, which creates a series of varying depths in the image areas, allowing for a rich tonal range.

Finally, ink is applied, filling the etched areas, and the plate is pressed onto paper with an etching press, resulting in a detailed and nuanced print that captures the subtleties of the original photograph.

Salt printing is a historical photographic process involving coating paper by hand with salt and silver to make them sensitive to light. I have a detailed description of my printmaking process »here.«

The price for a print includes a unique, handmade and fully archival print at the specified dimensions. The back of the print is signed, dated and titled in pencil. It does not include matting or framing.

I package each print inside an archival bag sandwiched between cardboard to prevent bending. It’s then boxed for protection before being shipped.

Sorry, in addition to the prohibitive expense of framed work it is also outside the scope of what I love to spend time on, which is taking pictures and making prints! Feel free to contact me for matting and frame recommendations.

Using the proper processing methods and toning, a salt print is as archival as any other paper based photographic print. Like any artwork, it should be kept away from direct sunlight or extreme humidity.